Lucha and Jamson exchange information in the aftermath of their accident.
Lucha remembers the day she left her childhood behind.
Jameson contemplates the multifaceted nature of his personality.
Lucha and Jameson connect at Lucha's performance of Orpheus and Eurydice.
Romance blooms on Lucha and Jameson's first date.
Lucha and Jameson share a passionate physical experience.
The metaphysical peak in Lucha and Jameson's love.
On their wedding day, Lucha gives Jameson a fateful gift.
Lucha receives a mysterious phone call from a voice she seems to recognize.
Before leaving Los Angeles, Orlando pays his last respects to his wife.
Reflect on the impact of a location's geography on a person's psyche.
In a state of darkness, Lucha is haunted by Jameson's red notebook.
Still submerged in darkness, Lucha dreams of Jameson's infidelity.
Lucha descends to the underworld in search of Jameson.
After years apart, Lucha and Orlando reunite in Los Angeles.
Lucha makes peace with Jameson's disappearance.
Marc Lowenstein is the Music Director of The Industry. He has conducted the premieres of several new operas including The Mortal Thoughts of Lady Macbeth, Dice Thrown, The Scarlet Letter, The Peach Blossom Fan and Wet, and the American premieres of Schaeffer's Loving and Aperghis' Sextour. For four years he conducted with the New York City Opera's VOX new music festival and he has conducted on the Monday Evening Concert Series, with Jacaranda, with the Ear Unit, the Vinny Golia Ensemble, the Kadima Conservatory, the CalArts New Century Players, and Ensemble Green. He was the founder and music director of the Berkeley Contemporary Opera, a company that produced four seasons of contemporary operas.
As a singer, he specializes in contemporary music and has performed over twenty-five opera roles including the premiere of What to Wear by Michael Gordon and Richard Foreman. Marc has written a full-length opera based on the screenplay to The Fisher King, is working on a children's opera, and has written several shorter chamber works. He has been a professional whistler, plays klezmer clarinet, and he teaches theory, conducting, composition and history at CalArts.
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