Lucha and Jamson exchange information in the aftermath of their accident.
Lucha remembers the day she left her childhood behind.
Jameson contemplates the multifaceted nature of his personality.
Lucha and Jameson connect at Lucha's performance of Orpheus and Eurydice.
Romance blooms on Lucha and Jameson's first date.
Lucha and Jameson share a passionate physical experience.
The metaphysical peak in Lucha and Jameson's love.
On their wedding day, Lucha gives Jameson a fateful gift.
Lucha receives a mysterious phone call from a voice she seems to recognize.
Before leaving Los Angeles, Orlando pays his last respects to his wife.
Reflect on the impact of a location's geography on a person's psyche.
In a state of darkness, Lucha is haunted by Jameson's red notebook.
Still submerged in darkness, Lucha dreams of Jameson's infidelity.
Lucha descends to the underworld in search of Jameson.
After years apart, Lucha and Orlando reunite in Los Angeles.
Lucha makes peace with Jameson's disappearance.
Imagine getting in a car without knowing the destination. Sharing the car are singers, actors, and instrumentalists who draw you into a story. The car stops at an incredible site, where another chapter of the story commences – until another car pulls up, with different artists, depicting another chapter of the story.
And so on, and so on, in a 90-minute journey throughout the unsuspecting city.
This was Hopscotch, The Industry’s original opera, that took audiences on a dazzling and disorienting ride through the streets of Los Angeles in 24 different car journeys.
This website offers you the chance to go deep into this once-in-a-lifetime sonic and civic adventure. Exclusive video for each chapter, plus in-depth reflections from director Yuval Sharon and other artists, lets you explore Hopscotch for yourself.
The 10 animated chapters of Hopscotch act as narrative tent-poles for the story, created by an international team of 6 animation artists. Whether you watch them before or after you experience the opera, or if the animations are the only way you experience the piece, the animations complete the narrative world of Hopscotch.
Only four audience members at a time experienced the opera in the intimacy of a car – but the Central Hub is where everyone could share in Hopscotch for free. This temporary structure at SCI-Arc, used technology so visitors could focus on all 36 chapters.
“Awe-inspiring. One of the more complicated operatic enterprises to have been attempted since Richard Wagner staged The Ring of the Nibelung in 1876. Hopscotch triumphantly escapes the genteel, fenced-off zone where opera is supposed to reside.”