Lucha and Jamson exchange information in the aftermath of their accident.
Lucha remembers the day she left her childhood behind.
Jameson contemplates the multifaceted nature of his personality.
Lucha and Jameson connect at Lucha's performance of Orpheus and Eurydice.
Romance blooms on Lucha and Jameson's first date.
Lucha and Jameson share a passionate physical experience.
The metaphysical peak in Lucha and Jameson's love.
On their wedding day, Lucha gives Jameson a fateful gift.
Lucha receives a mysterious phone call from a voice she seems to recognize.
Before leaving Los Angeles, Orlando pays his last respects to his wife.
Reflect on the impact of a location's geography on a person's psyche.
In a state of darkness, Lucha is haunted by Jameson's red notebook.
Still submerged in darkness, Lucha dreams of Jameson's infidelity.
Lucha descends to the underworld in search of Jameson.
After years apart, Lucha and Orlando reunite in Los Angeles.
Lucha makes peace with Jameson's disappearance.
Described in the Los Angeles Times as "an explorer into the cracks of intonation and the quirks of symmetry", LA-based composer Andrew McIntosh is known for writing music with "soundscapes rich and immersive" (San Francisco Classical Voice) and has been heralded as "a shining example of the extraordinary music that the youngest generation of American experimentalists has to offer" (TEMPO). His music is regularly performed throughout the US and Europe, including several recent performances at the Los Angeles Philharmonic's Green Umbrella series. McIntosh is also an active performer as violinist, violist, and baroque violinist, and is a founding member of the Formalist Quartet.
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