Lucha and Jamson exchange information in the aftermath of their accident.
Lucha remembers the day she left her childhood behind.
Jameson contemplates the multifaceted nature of his personality.
Lucha and Jameson connect at Lucha's performance of Orpheus and Eurydice.
Romance blooms on Lucha and Jameson's first date.
Lucha and Jameson share a passionate physical experience.
The metaphysical peak in Lucha and Jameson's love.
On their wedding day, Lucha gives Jameson a fateful gift.
Lucha receives a mysterious phone call from a voice she seems to recognize.
Before leaving Los Angeles, Orlando pays his last respects to his wife.
Reflect on the impact of a location's geography on a person's psyche.
In a state of darkness, Lucha is haunted by Jameson's red notebook.
Still submerged in darkness, Lucha dreams of Jameson's infidelity.
Lucha descends to the underworld in search of Jameson.
After years apart, Lucha and Orlando reunite in Los Angeles.
Lucha makes peace with Jameson's disappearance.
Andrew Norman is a composer of chamber and orchestral music. He has been commissioned by the Berlin, Los Angeles, and New York Philharmonics, and he is the recipient of the Rome Prize and the Berlin Prize. A lifelong enthusiast for all things architectural, Andrew writes music that is often inspired by forms he encounters in the visual world. His music draws on an eclectic mix of instrumental sounds and notational practices, and it has been cited in The New York Times for its "daring juxtapositions and dazzling colors" and in the LA Times for its "Chaplinesque" wit.
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