Lucha and Jamson exchange information in the aftermath of their accident.
Lucha remembers the day she left her childhood behind.
Jameson contemplates the multifaceted nature of his personality.
Lucha and Jameson connect at Lucha's performance of Orpheus and Eurydice.
Romance blooms on Lucha and Jameson's first date.
Lucha and Jameson share a passionate physical experience.
The metaphysical peak in Lucha and Jameson's love.
On their wedding day, Lucha gives Jameson a fateful gift.
Lucha receives a mysterious phone call from a voice she seems to recognize.
Before leaving Los Angeles, Orlando pays his last respects to his wife.
Reflect on the impact of a location's geography on a person's psyche.
In a state of darkness, Lucha is haunted by Jameson's red notebook.
Still submerged in darkness, Lucha dreams of Jameson's infidelity.
Lucha descends to the underworld in search of Jameson.
After years apart, Lucha and Orlando reunite in Los Angeles.
Lucha makes peace with Jameson's disappearance.
Christine Tavolacci is a Los Angeles based flutist who is devoted to the performance of contemporary and experimental music. She has had the pleasure of working with many celebrated 20th and 21st century composers, such as Christian Wolff, James Tenney, Steve Reich, Michael Finnissy, Clarence Barlow, Alvin Lucier and Jurg Frey. Christine is an active soloist, improviser, curator and chamber musician. She is co-founder and co-director of Southland Ensemble, as well as a member of the Dog Star Orchestra, Gurrisonic, and the Vinny Golia Large Ensemble. Her playing has been released on Tzadik, Slub Music(Japan) and Orenda Records. Christine holds degrees from California Institute of the Arts, Conservatoire National de Region Strasbourg and is completing her DMA in flute performance from the University of California San Diego.
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