Lucha and Jamson exchange information in the aftermath of their accident.
Lucha remembers the day she left her childhood behind.
Jameson contemplates the multifaceted nature of his personality.
Lucha and Jameson connect at Lucha's performance of Orpheus and Eurydice.
Romance blooms on Lucha and Jameson's first date.
Lucha and Jameson share a passionate physical experience.
The metaphysical peak in Lucha and Jameson's love.
On their wedding day, Lucha gives Jameson a fateful gift.
Lucha receives a mysterious phone call from a voice she seems to recognize.
Before leaving Los Angeles, Orlando pays his last respects to his wife.
Reflect on the impact of a location's geography on a person's psyche.
In a state of darkness, Lucha is haunted by Jameson's red notebook.
Still submerged in darkness, Lucha dreams of Jameson's infidelity.
Lucha descends to the underworld in search of Jameson.
After years apart, Lucha and Orlando reunite in Los Angeles.
Lucha makes peace with Jameson's disappearance.
Ellen Reid is a composer and sound artist whose work "brims with canny invention" (LA Weekly). She creates visceral experiences where sound and story collide. Reid's work is largely collaborative and takes the form of opera, scores for dance, film, theater, and immersive interactive media. Reid's score for She Gone Rogue will be featured in the 2014 Whitney Biennial, and her new opera Winter's Child was recently workshopped at The Industry's First Take (Hammer Museum, Los Angeles), which was hailed as "full of imagination, full of promise" by the LA Times. Reid's music direction scoring of Prometheus Bound (Getty Villa, Malibu) was said it would "make you believe that the mythical sirens really existed" (KCRW). Reid's work has been heard internationally at the United Nations in Thailand, Galapagos Art Space (NYC), the Ruhrtrinalle (PACT Zollverein, Germany), 104 (Paris), cˇu'm„a* (Istanbul), and with Theater Mitu in Abu Dhabi, UAE. Reid holds a BFA from Columbia University and an MFA from California Institute of the Arts.
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