Lucha and Jamson exchange information in the aftermath of their accident.
Lucha remembers the day she left her childhood behind.
Jameson contemplates the multifaceted nature of his personality.
Lucha and Jameson connect at Lucha's performance of Orpheus and Eurydice.
Romance blooms on Lucha and Jameson's first date.
Lucha and Jameson share a passionate physical experience.
The metaphysical peak in Lucha and Jameson's love.
On their wedding day, Lucha gives Jameson a fateful gift.
Lucha receives a mysterious phone call from a voice she seems to recognize.
Before leaving Los Angeles, Orlando pays his last respects to his wife.
Reflect on the impact of a location's geography on a person's psyche.
In a state of darkness, Lucha is haunted by Jameson's red notebook.
Still submerged in darkness, Lucha dreams of Jameson's infidelity.
Lucha descends to the underworld in search of Jameson.
After years apart, Lucha and Orlando reunite in Los Angeles.
Lucha makes peace with Jameson's disappearance.
Praised for her "gorgeous tone quality" (Lauri's List), lyric soprano Jennifer Lindsay recently made her European debut as Donna Anna (Don Giovanni) at the Estates Theatre in Prague, Czech Republic, and she has been a featured soloist with the Pacific Symphony, Southeast Symphony, and Bakersfield Symphony. Jennifer has received accolades from numerous competitions, including finalist or semi-finalist awards in the James Toland National Opera Competition, Center Stage Opera Competition, Loren Zachary National Opera Competition, Cooper-Bing Opera Columbus Vocal Competition, and Classical Singer Competition. Previous roles include Violetta (La Traviata), Fiordiligi (Cosi Fan Tutte), Alice Ford (Falstaff), and Giorgetta (Il Tabarro).
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