Lucha and Jamson exchange information in the aftermath of their accident.
Lucha remembers the day she left her childhood behind.
Jameson contemplates the multifaceted nature of his personality.
Lucha and Jameson connect at Lucha's performance of Orpheus and Eurydice.
Romance blooms on Lucha and Jameson's first date.
Lucha and Jameson share a passionate physical experience.
The metaphysical peak in Lucha and Jameson's love.
On their wedding day, Lucha gives Jameson a fateful gift.
Lucha receives a mysterious phone call from a voice she seems to recognize.
Before leaving Los Angeles, Orlando pays his last respects to his wife.
Reflect on the impact of a location's geography on a person's psyche.
In a state of darkness, Lucha is haunted by Jameson's red notebook.
Still submerged in darkness, Lucha dreams of Jameson's infidelity.
Lucha descends to the underworld in search of Jameson.
After years apart, Lucha and Orlando reunite in Los Angeles.
Lucha makes peace with Jameson's disappearance.
Praised for her "expressive and contemplative" musicality (Lauri's List), soprano Jennifer Weiss recently relocated to Los Angeles from New Jersey. Jennifer's work spans new music, opera, choral works, and musical theater. In 2015, Jennifer performed four roles in Jonathan Sheffer's Blood on the Dining Room Floor with Napa Music Festival. Traditional opera roles include Olympia (Tales of Hoffman), Madame Herz (The Impresario), Blonde (Abduction from the Seraglio), and Casilda (The Gondoliers). Musical theater credits include K.C. Downing (My Favorite Year) and Hodel/Chava (Fiddler on the Roof). Choral work includes performances under conductors Gustavo Dudamel, Daniel Barenboim, and Yannick Nézet-Séguin.
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