Lucha and Jamson exchange information in the aftermath of their accident.
Lucha remembers the day she left her childhood behind.
Jameson contemplates the multifaceted nature of his personality.
Lucha and Jameson connect at Lucha's performance of Orpheus and Eurydice.
Romance blooms on Lucha and Jameson's first date.
Lucha and Jameson share a passionate physical experience.
The metaphysical peak in Lucha and Jameson's love.
On their wedding day, Lucha gives Jameson a fateful gift.
Lucha receives a mysterious phone call from a voice she seems to recognize.
Before leaving Los Angeles, Orlando pays his last respects to his wife.
Reflect on the impact of a location's geography on a person's psyche.
In a state of darkness, Lucha is haunted by Jameson's red notebook.
Still submerged in darkness, Lucha dreams of Jameson's infidelity.
Lucha descends to the underworld in search of Jameson.
After years apart, Lucha and Orlando reunite in Los Angeles.
Lucha makes peace with Jameson's disappearance.
Los Angeles-based mezzo-soprano Jessica Mirshak has performed contemporary and traditional operatic roles with many companies in Southern California and beyond. Recent appearances include, Meg Page (Falstaff), Lyubasha (The Tsar's Bride), Lola (Cavalleria Rusticana), Cherubino (Le nozze di Figaro), Flora (La Traviata), Female Doctor in the premiere of Sylvia by Julia Adolphe at BargeMusic! Brooklyn; Mother Jeanne of the Baby Jesus (Dialogues of the Carmelites) and Third Lady (Die Zauberflöte). As a concert soloist in the 2014-2015 season, Ms. Mirshak has been seen as Alto Soloist in Vivaldi's Gloria with Westwood United Methodist, Alto Soloist in Mendelssohn's Elijah with combined Los Angeles choirs, and Alto Soloist in Bach: BWV Cantata 106 with Claremont Chorale. This past April Ms. Mirshak was the recipient of the Lisa & Bernie Kalvelage Award in the Maria & Henry Holt Competition. Ms. Mirshak is a graduate of USC Thornton School of Music and Loyola University New Orleans.
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