Lucha and Jamson exchange information in the aftermath of their accident.
Lucha remembers the day she left her childhood behind.
Jameson contemplates the multifaceted nature of his personality.
Lucha and Jameson connect at Lucha's performance of Orpheus and Eurydice.
Romance blooms on Lucha and Jameson's first date.
Lucha and Jameson share a passionate physical experience.
The metaphysical peak in Lucha and Jameson's love.
On their wedding day, Lucha gives Jameson a fateful gift.
Lucha receives a mysterious phone call from a voice she seems to recognize.
Before leaving Los Angeles, Orlando pays his last respects to his wife.
Reflect on the impact of a location's geography on a person's psyche.
In a state of darkness, Lucha is haunted by Jameson's red notebook.
Still submerged in darkness, Lucha dreams of Jameson's infidelity.
Lucha descends to the underworld in search of Jameson.
After years apart, Lucha and Orlando reunite in Los Angeles.
Lucha makes peace with Jameson's disappearance.
Jon Lee Keenan, tenor, grew up exposed to a wide variety of music ranging from rock-n-roll and bluegrass to classical and jazz in his home town of Las Vegas, NV. After graduating from UNLV with a triple major in Music, Jon moved to Los Angeles to continue his musical studies, eventually graduating with a doctorate in Vocal Arts from USC. Since joining with the Los Angeles Master Chorale in 2007, Jon has appeared as a featured soloist in each season: recent highlights include Magnus Lindberg's Graffiti with Esa Pekka Solonen of the Los Angeles Philharmonic and singing the role of Evangelist in Bach's St. Matthew Passion. Other recent engagements include appearances with the American Bach Soloists in Bach's Easter Oratorio and St. Matthew Passion and with the Industry Opera as George Hunter White in Anne LeBaron's LSD the Opera. When Jon is not singing he can be found playing jazz bass with "The Disciples Trio" on YouTube.
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