Lucha and Jamson exchange information in the aftermath of their accident.
Lucha remembers the day she left her childhood behind.
Jameson contemplates the multifaceted nature of his personality.
Lucha and Jameson connect at Lucha's performance of Orpheus and Eurydice.
Romance blooms on Lucha and Jameson's first date.
Lucha and Jameson share a passionate physical experience.
The metaphysical peak in Lucha and Jameson's love.
On their wedding day, Lucha gives Jameson a fateful gift.
Lucha receives a mysterious phone call from a voice she seems to recognize.
Before leaving Los Angeles, Orlando pays his last respects to his wife.
Reflect on the impact of a location's geography on a person's psyche.
In a state of darkness, Lucha is haunted by Jameson's red notebook.
Still submerged in darkness, Lucha dreams of Jameson's infidelity.
Lucha descends to the underworld in search of Jameson.
After years apart, Lucha and Orlando reunite in Los Angeles.
Lucha makes peace with Jameson's disappearance.
Mexican-American tenor Jonathan Cebreros has performed with groups and venues such as: Tuscia Operafestival (Italy), Napa Music Festival, Chicago Cultural Center, Festival de Ópera de Oaxaca, Ópera de Tijuana, and the Tijuana Street Opera Festival. Some of his roles include: Rodolfo (Bohème), Fadinard (Il Cappello di Paglia di Firenze), Goro (M. Butterfly), Mayor Upfold (Albert Herring) and Gastone (Traviata). His concert repertoire includes tenor solo parts in Haydn's Groβe Orgelsolomesse, Mozart's Mass in C Minor and Handel's Messiah with the Greater San Diego Chamber Orchestra. Jonathan holds a Master of Music from the Chicago College of Performing Arts at Roosevelt University.
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