Lucha and Jamson exchange information in the aftermath of their accident.
Lucha remembers the day she left her childhood behind.
Jameson contemplates the multifaceted nature of his personality.
Lucha and Jameson connect at Lucha's performance of Orpheus and Eurydice.
Romance blooms on Lucha and Jameson's first date.
Lucha and Jameson share a passionate physical experience.
The metaphysical peak in Lucha and Jameson's love.
On their wedding day, Lucha gives Jameson a fateful gift.
Lucha receives a mysterious phone call from a voice she seems to recognize.
Before leaving Los Angeles, Orlando pays his last respects to his wife.
Reflect on the impact of a location's geography on a person's psyche.
In a state of darkness, Lucha is haunted by Jameson's red notebook.
Still submerged in darkness, Lucha dreams of Jameson's infidelity.
Lucha descends to the underworld in search of Jameson.
After years apart, Lucha and Orlando reunite in Los Angeles.
Lucha makes peace with Jameson's disappearance.
Lewis Pesacov is a musician, producer and composer based in Los Angeles. As a composer, Pesacov is inspired by the transcendent potential in sounds, heard. His works have been featured in festivals, museums and galleries including The Walker Art Center (Minneapolis), the 2013 Biennial of the Americas (Denver) performed by the Colorado Symphony Orchestra and at Machine Project (Los Angeles) performed by the Calder Quartet. His work has also been performed internationally at the Darmstadt Ferienkursen and the Conservatory of Music Trossingen (Germany), the Dissonanz Festival (Switzerland) and by the Orchestre de Sceince-Poiltiques Paris (France). In 2013, Pesacov's chamber opera The Edge of Forever, inspired by the ending of the Mayan long count calendar, was performed by LA-based chamber music ensemble wild Up, conducted by Christopher Rountree, at The Philosophical Research Society (Los Angeles).
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