Lucha and Jamson exchange information in the aftermath of their accident.
Lucha remembers the day she left her childhood behind.
Jameson contemplates the multifaceted nature of his personality.
Lucha and Jameson connect at Lucha's performance of Orpheus and Eurydice.
Romance blooms on Lucha and Jameson's first date.
Lucha and Jameson share a passionate physical experience.
The metaphysical peak in Lucha and Jameson's love.
On their wedding day, Lucha gives Jameson a fateful gift.
Lucha receives a mysterious phone call from a voice she seems to recognize.
Before leaving Los Angeles, Orlando pays his last respects to his wife.
Reflect on the impact of a location's geography on a person's psyche.
In a state of darkness, Lucha is haunted by Jameson's red notebook.
Still submerged in darkness, Lucha dreams of Jameson's infidelity.
Lucha descends to the underworld in search of Jameson.
After years apart, Lucha and Orlando reunite in Los Angeles.
Lucha makes peace with Jameson's disappearance.
Lisa has been a performer across North America and Europe, appearing as soloist and performing as an orchestral and chamber musician. In the US she has opened for/appeared with Stanley Clarke, Grover Washington Jr., Gregg Fields, Dennis Rowland, Peter Nero, Bobby Watson, the Philadelphia Orchestra Brass section and the New Century Players, to name a few. In Europe she has opened for the Royal Scottish Academy of Music's brass ensemble as well as Abbos, a visceral traditional music group from Uzbekistan. She has performed works by Morton Subotnick, Luciano Berio and HK Gruber, to name a few crucial works performed in her career. Lisa regularly emphasizes interdisciplinary work as well as freely improvised scenarios that explore human artistic boundaries and in turn, further them.
Back to The Team