Lucha and Jamson exchange information in the aftermath of their accident.
Lucha remembers the day she left her childhood behind.
Jameson contemplates the multifaceted nature of his personality.
Lucha and Jameson connect at Lucha's performance of Orpheus and Eurydice.
Romance blooms on Lucha and Jameson's first date.
Lucha and Jameson share a passionate physical experience.
The metaphysical peak in Lucha and Jameson's love.
On their wedding day, Lucha gives Jameson a fateful gift.
Lucha receives a mysterious phone call from a voice she seems to recognize.
Before leaving Los Angeles, Orlando pays his last respects to his wife.
Reflect on the impact of a location's geography on a person's psyche.
In a state of darkness, Lucha is haunted by Jameson's red notebook.
Still submerged in darkness, Lucha dreams of Jameson's infidelity.
Lucha descends to the underworld in search of Jameson.
After years apart, Lucha and Orlando reunite in Los Angeles.
Lucha makes peace with Jameson's disappearance.
Upon her 2015 debut with LA Opera as Susana in ¡Figaro! (90210), Opera News called soprano Maria Elena Altany "delightfully smart and quicksilver." Altany is grateful to have been featured in every one of The Industry's productions; as Nurse Anna Mae in Crescent City, the Turkish woman in Invisible Cities, and as Sophia and The Child in readings of The House is Open and Winter's Child at First Take and First Take '15. Recent appearances include the Najade in Ariadne auf Naxos with Pacific Opera Project, and soloist in Jon Luther Adams' Sila: Breath of the World for the Ojai Music Festival.
https://www.presskit.to/mariaelenaaltany
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