Lucha and Jamson exchange information in the aftermath of their accident.
Lucha remembers the day she left her childhood behind.
Jameson contemplates the multifaceted nature of his personality.
Lucha and Jameson connect at Lucha's performance of Orpheus and Eurydice.
Romance blooms on Lucha and Jameson's first date.
Lucha and Jameson share a passionate physical experience.
The metaphysical peak in Lucha and Jameson's love.
On their wedding day, Lucha gives Jameson a fateful gift.
Lucha receives a mysterious phone call from a voice she seems to recognize.
Before leaving Los Angeles, Orlando pays his last respects to his wife.
Reflect on the impact of a location's geography on a person's psyche.
In a state of darkness, Lucha is haunted by Jameson's red notebook.
Still submerged in darkness, Lucha dreams of Jameson's infidelity.
Lucha descends to the underworld in search of Jameson.
After years apart, Lucha and Orlando reunite in Los Angeles.
Lucha makes peace with Jameson's disappearance.
(Soprano): Recently returned from Verona, Italy where she participated in Opera Vivá's scene production of La Traviata. In 2015, she was the guest soloist in Midaregami (Tangled hair) by Veronika Krausas with the Penderecki String Quartet at USC's Vision & Voices, and also sang with Oakland Temple Hill's Interfaith Production of The Lamb of God as Mary Magdalene. Ms. Barton has performed the roles of Alice Ford (Falstaff), Madame Lidoine (Dialogues des carmélites), Jane Wingrave (West Coast Premeire of Owen Wingrave), Angelica (Debut with Idaho Falls Opera Theatre in Suor Angelica), Countess Almaviva (Le Nozze di Figaro).
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