Lucha and Jamson exchange information in the aftermath of their accident.
Lucha remembers the day she left her childhood behind.
Jameson contemplates the multifaceted nature of his personality.
Lucha and Jameson connect at Lucha's performance of Orpheus and Eurydice.
Romance blooms on Lucha and Jameson's first date.
Lucha and Jameson share a passionate physical experience.
The metaphysical peak in Lucha and Jameson's love.
On their wedding day, Lucha gives Jameson a fateful gift.
Lucha receives a mysterious phone call from a voice she seems to recognize.
Before leaving Los Angeles, Orlando pays his last respects to his wife.
Reflect on the impact of a location's geography on a person's psyche.
In a state of darkness, Lucha is haunted by Jameson's red notebook.
Still submerged in darkness, Lucha dreams of Jameson's infidelity.
Lucha descends to the underworld in search of Jameson.
After years apart, Lucha and Orlando reunite in Los Angeles.
Lucha makes peace with Jameson's disappearance.
Victoria Fox,
mezzo-soprano, is a native of Centerville,
Pennsylvania. Victoria holds a Master's from The
University of Southern California. During her time
at USC, she performed Zita in Gianni Schicchi, Arnalta in
L'Incoronazione di Poppea, and Marchesa Melibea
in Il
Viaggio a Reims. Other roles include
Dorabella
in Cosi fan tutte, Carmen, Meg in Falstaff, Nicklausse in Les contes
d'Hoffmann, and Ottone in Aspen
Music Festival's L'Incoronazione di
Poppea. This summer, Victoria performed with Opera
Theatre of Pittsburgh as Clairon in Strauss's
Capriccio and The Word in Gilda
Lyons world premiere, A New Kind of
Fallout. www.victoriafoxmezzo.com